Every so often, I come across a song that I can listen to over and over again. The smart playlists on my iTunes tell me the most played songs on in my library. Here are the 10 most played songs right now:

1. Halloween, Alaska - Drowned

2. Jackson Browne - These Days

3. Wilco - Nothing’severgonnastandinmyway(again)

4. Amy Winehouse - Tears Dry On Their Own

5. Halloween, Alaska - The Four Corners

6. The Hold Steady - Citrus

7. Ozma - Immigration Song

8. Guster - Come Downstairs and Say Hello

9. Halloween, Alaska - Call It Clear

10. Wilco - Jesus, etc.

Halloween, Alaska is one of my newfound favorite bands. They are a Minnesota group and they very much remind me of the Postal Service, but with less formulaic melodies and structures. Dave King of The Bad Plus drums for Halloween, Alaska.

Steely Dan is coming to the Nokia Theater in Grand Prairie on August 21, and (assuming the ticket price isn’t outrageous), I will be going. I took a look at who the band is for this tour, and it’s (of course) filled with heavy, heavy players.

A name I immediately recognized was Keith Carlock’s, whose band Rudder I’ve seen a few times. He’s incredibly energetic and is pretty influential among the young drumming crowd, even though he is still young himself.

I also recognized the names of trombonist Jim Pugh and saxophonist Walt Weiskopf. Jim visited UNT last fall for some master classes and the inaugural performance of the U-Tubes. Steve Wiest and I listened to some of Walt’s nonet music during composition lessons this past spring.

Steely Dan is one of those groups that I start appreciating way too late. Only in the past couple years have I really gotten into them, and I still haven’t seriously listened to either of the Donald Fagen albums, the Walter Becker album, or Steely Dan past Gaucho. Almost everything on the Citizen Steely Dan Boxset I’m at least slightly familiar with (if not deeply love). I need to step up my listening and get those albums on rotation.

Today marks the first time I have listened to Prince’s eponymous album. I’m really enjoying it. I had heard Prince’s original version of “I Feel For You,” but hadn’t heard anything else from this record.

A brief Wikipedia expedition has revealed that Prince was recorded and released at nearly the same time as Michael Jackson’s Off The Wall. The bassline in “I Wanna Be Your Lover” by Prince reminded me of that of “Off The Wall” and I subsequently checked on those facts.

Prince played most of the instruments on this album. The production is very tight, subsequently. Every so often, there is a musical curveball, which I like. The early syncopation of the main riff of “Bambi” (1, &2, 3) caught me off guard. The track as a whole is more rock than the funk/disco inspired first half of the album, which is a good change of pace.

There is a strong presence of the IV-iii-ii progression, which I am fond of and have used sometimes in my own pop music.

I will certainly be giving this album repeated listens. Minnesota music is something that I have been increasingly interested in in recent years.