I’ve been thinking about who the most important people in my musical life have been.

I recently visited my home of Minnesota and spent some time with my high school trumpet teacher Brad Shermock. I began taking lessons with him during my junior year of high school. It was through him that I first learned about the UNT Jazz Program. He did his undergrad there in the late 80s and early 90s and played 2nd trumpet on the album The Translucent Two by the UNT Two O’Clock Lab band. He stressed trumpet fundamentals and we rarely (if ever) worked explicitly on playing in the jazz styles. Regardless, he made sure to warn me that UNT is an easy school to go to, but a hard school to stay at.

We hung out for about 4 hours, and I could’ve hung out for 4 more, but I was meeting some friends in St. Paul. Talking with him during my trips home usually encourages and re-energizes me about music. I’m ready for my sixth and final year at UNT, after which I’ll receive my Master’s in Jazz Composition.

So Brad is one mentor in my life, the second is Phil Holm. I think I’ll collect my thoughts and write about him soon.

So the Freddie Hubbard show I was supposed to see at the Scat Jazz Lounge tonight has been “postponed due to illness.” This is disappointing, but probably not as disappointing as seeing sick Freddie Hubbard play.

Oso Closo, a band filled mostly with friends of mine, is scheduled to be the rock band for several productions of the Who’s Tommy this September.

Lately, I’ve been listening to a lot of the first Pat Metheny Group album. In response to this, I just purchased the album Fictionary, by Lyle Mays, Marc Johnson and Jack DeJohnette.

Also, I’m still listening to tons of Steely Dan, in anticipation of their Grand Prairie show next month.

So I haven’t really updated this very much, but that’s ok.

My summer has consisted of a good bit of practicing, and recently a fun project. My friend, drummer Sean Philly Jones called me to do some keyboard parts on a track he’s recording. The idea is to meticulously recreate “Rock With You,” from the Michael Jackson album Off The Wall. This project was started so Philly could learn to use his recording program, Digital Performer, better. At the beginning of the week, all Philly had down was a completely accurate drum part.

One day, I played the main rhodes part and a functional synth bass part. Over the next few days, we added synth string parts (which will later be replaced with real strings) and additional synth parts. Yesterday, Scott Mulvahill added the true bass part and Kelyn Crapp laid down the guitars. I also played most of the flugal and trumpet parts. The track has a ways to go (Quincy Jones as producer made the original track immensely and intricately layered), but it already sounds really good. I may post it when it’s finished.

Even though Philly is doing all the tracking and mixing, I’ve probably been the next most involved person and I’ve adopted it as my own project too. The most likely candidate for our next project is “Peg” from the Steely Dan album Aja. Philly, Brian Stark and I are going to see Steely Dan in August when they come to the Nokia Theater in Grand Prairie, TX.