I’m trying to get back into the blog thing. Years ago, I used to keep a pretty ridiculous blog at this web address. That was 2003-2005 (about). I think I can be more articulate and focused now than I was back then.
The Internet exploded yesterday after the news of Michael Jackson’s death broke. Darcy James Argue wrote about how stunning Michael Jackson’s talent and work ethic were, even from a young age. At work today, The first thing I did was put on The Essential Michael Jackson. “Got To Be There,” the title track from his album of the same name came on. The studio track is impressive, but I found this earlier today on YouTube. Listen at 0:53.
Incredible.
In 1972, MJ was 13 and already years into his career as a professional musician. I believe when I was 13, I had just made the decision that wearing sweatpants to school everyday was not going to happen anymore. Whatever. I had my accomplishments and he had his.
Because of the sheer volume of pop music produced, statistically there are going to be a lot of good songs heard. Michael Jackson wasn’t great because he had a hit or two. He was great because he made great songs consistently for DECADES. Songs that I (and pretty much everyone else) can listen to over and over again. This is because his songs are valuable.
Especially with the addition of Quincy Jones to his musical world, Michael Jackson’s songs are astonishing. Sean “Philly” Jones and I had a pet project last summer of trying to recreate “Rock With You.” It took a really long time and by then end of summer we had a lot of stuff going on. Initially, Philly had laid down the drums (a direct transcription I believe) to a click track. I a placeholder bassline which Scott Mulvahill eventually replaced. Kelyn Crapp laid down guitars and Melissa McMillan did vocals. We then added the little details (horns, strings, synths) piece by piece. The summer ended before we completely realized this project, but it was an eye opening experience. There is SO MUCH going on in the original track, yet it sounds so well blended.
Here’s what we came up with. It’s been a long time since I’ve listened to it.
Hello to my threes of readers.
This post is me putting up links to mp3s of a BUNCH of music that I haven’t gotten around to uploading. I’ll copy this to the recordings page. Most of these are one or two-takes recorded and edited with bare bones audio software (Garageband).
An epic chart I wrote and revised last year. This is a 2nd reading. The tune with kinks worked out and face melting licks having been shedded will close my Grad Recital, which is Thursday, April 23rd at 8:00PM in Kenton Hall on the UNT College of Music Campus.
This is a recording from a performance by the Three O’Clock Lab Band featuring Melissa McMillan on vocals. This was meant to be Basie-ish, complete with stolen riffs.
Don’t Think Twice, It’s All Right
Another arrangement for Vocalist and Big Band on one of my favorite Bob Dylan tunes. Tatiana Mayfield is singing on this recording.
A vocal jazz ensemble arrangement with accompaniment. Rhythm and vocal tracks were recorded separately and combined.
My first a capella vocal jazz arrangement. Pretty chords.