Scant posting is my pattern, but I’ve been filling in the gaps of my musical listening.
On the classical side, I’ve listened to Beethoven’s Fifth and Sixth Symphonies, Holst’s Planets and Copland’s Rodeo. These pieces are about as well known as classical rep gets, and I had listened to portions of them, but not the whole things in their entireties.
On the jazz side, I’ve discovered the joys of Stan Kenton’s Portraits on Standards. We played it last week in the Three O’Clock Lab Band (more on that later). Also John Coltrane & Johnny Hartman is of course superb and essential. Lastly, I finally picked up Snarky Puppy’s latest album, Bring Us the Bright. It’s vastly different from their last record, which was vastly different than the one before that. It’s amoebic music, through and through. Snarky Puppy can exist as a quartet/quintet or have as many as a dozen or more people onstage, and the various styles mash and intermingle with each other. It’s pretty cool stuff.
I’m well into my final semester at UNT. I’m back in the Three O’Clock Lab Band, and excited to be there. The level of musicianship is very high in all sections and we can put stuff together quickly. I’m only taking Lab Band and doubling up on jazz composition lessons this semester, but I always feel like I could use more time. Deadlines are a good thing though, as they make you just cut the crap and do things.
Speaking of which, I should probably hop back on Finale now.
I’ve only been back in Minnesota for a few days, and it has already been a most musical experience. I sat in on a rehearsal with the Nova Contemporary Jazz Orchestra. I’ll be seeing them at O’Gara’s in St. Paul tonight (Tuesday) and quite possibly sitting in a few tunes. They’ll be playing quite a few Dan Cavanagh tunes. I rehearsed a couple of them with the band and thought they were pretty cool!
I also brought in three of my own charts. They were read to positive responses, which made me happy. The group has 4 trumpets and 4 trombones as well as no guitar player. I may revise my charts someday to better suit that instrumentation instead of the 19-piece Kenton style monstrosities we have at UNT. I moved some guitar solos to other instruments and had the bones play parts 1, 2, 3 and 5.
After that rehearsal, I went back to St. Paul to see Happy Apple play at the Artist’s Quarter. Both sets were great and the Dave King banter was in top form. Comical highlights include King calling the soprano sax “the money stick” and the band playing about 15 seconds of “The Cult of Personality” by Living Colour (which would be a bitchin’ tune to play in any circumstance). I also ran into some musician friends who I hadn’t seen for years. This jazz is a small world.
After the Christmas festivities at home, I’ll be seeing the Bad Plus at 9:30 next Sunday. I always forget to buy tickets early, so the seats are mezzanine level and quasi centered. Next year I’ll hop on the tickets early and get a table down by the stage. The Bad Plus brought it last Christmas and they’ll bring it this one too for sure.